Ten Fantastical Female Characters Over Forty

Do you feel that the older you get, the more likely you are to take up arms and wage war against the orcs? I hear you. Female characters over the age of forty are not always common in fiction, and yet, in my experience, they have a unique and resilient perspective. Let’s celebrate some of the best female characters over forty in fantasy, to whet your appetite for rebellion and celebrate International Women’s Day 2024!

1: Galadriel – The Lord of the Rings by J.R.R. Tolkien

If we’re talking about female characters over forty, let’s start with one who is thousands of years old. A wise and powerful elf with a magical insight and a dark side that compels you to read on…I’d be on Galadriel’s team any day.

2: Catelyn Stark – A Song of Ice and Fire by George R.R. Martin

All right, I hear you, in the books she is below forty years old, but they upped her age for the show, so she does belong on this list. She is represented as a fierce protector of her family, a gentle and strong matriarch, a woman who doesn’t deny her pain and speaks her mind.

3: Granny Weatherwax – Discworld series by Terry Pratchett

One of my favourite characters on the disc has to be Granny Weatherwax, a formidable witch with a strong belief in her powers. She has a no-nonsense attitude but demonstrates her love for others in her own way, shaking off her intended ‘wicked witch’ title.

4: Morwen – Dealing with Dragons by Patricia C. Wrede

Another witch who won’t take any nonsense from anyone, this time flanked by a significant number of cats. YA is not just for kids (trust me, it’s okay. You don’t have to read it on your Kindle), and Morwen is an excellent example of a self-assured and powerful woman over the age of forty.

5: Moiraine Damodred – The Wheel of Time series by Robert Jordan

An Aes Sedai (servant of all), talented in healing and channelling the ‘One Power’. If you haven’t read the books, that probably doesn’t make much sense to you, but know this: Moiraine is both thoughtful and manipulative, a complex woman with a calm demeanour. That’s who I would want on my team.

6: Aunt Pol – The Belgariad series by David Eddings

Aunt Pol (Polgara) is an immortal sorceress, which is a pretty good job to have bestowed on you from birth. She is also one of the most feared and powerful women in the world, so if I didn’t put her on this list, it would be an injustice.

7: Professor Wendowleen Cripcot – The Finery by Rachel Grosvenor

A retired professor nearing 101, Professor Cripcot is ready to take down a totalitarian government with her pet wolf by her side. There’s no messing about when it comes to Professor Cripcot—she says what’s on her mind and will stop at nothing to fight for her rights.

8: Queen Talyien – The Wolf of Oren-Yaro by K.S. Villoso

It’s not easy being queen, and Talyien demonstrates her struggles and wins, navigating the difficult situations she faces in her complex political world. In short, she’s doing her best to protect her people, but sometimes that’s just not enough. As a side note, this series is called ‘The Chronicles of the Bitch Queen’. That’s enough to drive me to read it, anyway.

9: Kelsea Glynn – The Queen of the Tearling by Erika Johanse

Though she ascends the throne at nineteen, inheriting a broken kingdom, the reader watches her grow in age and strength until she proves herself to be a far more capable monarch than expected. Kelsea is a legend in the making.

10: Irene Adler – The Invisible Library series by Genevieve Cogma

A name you might recognise if you’re a fan of Sherlock Holmes, Irene is a spy and librarian for a magical and multi-dimensional library. In terms of cool jobs, a spy-come-librarian might even beat an immortal sorceress.


Do you want to write something magical featuring a strong female character? Stick around the blog, there’s lots to see!


How Do You Book a 1:1 with a Literary Agent?

First, let’s talk about why you might be interested in doing this. If you have a novel and it’s completed (you’ve edited it, taken it through a few drafts, and you’re feeling good about its condition), you might be thinking about or currently querying. A 1:1 with a literary agent can be so helpful for a few reasons. 

  • They give you valuable feedback on your query package. As these are the people receiving queries, they are the experts! Their feedback will help you improve. 
  • They can give you insider advice. Agents are up to date on literary market trends, publisher preferences, and more. All of this information can increase your chances of getting published!
  • To build a relationship. You’re not going to become best friends over a 15-minute phone call, but talking to an agent who represents your genre and having the opportunity to discuss your work with them is more impactful than sending an email. First of all, you are guaranteed their attention – and that’s huge. Often, submissions will be reviewed by an assistant first and won’t even make it to the agent you are contacting, so having the opportunity to talk to the agent you are querying is so valuable. 

If you’re ready to book that 1:1 – here are some options on how to do it:

  • Literary festivals. At literary festivals, you have the opportunity to pre-book (rarely is it first come, first serve on the day, so always pre-book) a face-to-face 1:1 with an agent. Festivals such as:

The London Festival of Writing

How to Hook an Agent Event by Bloomsbury Publishing

The London Book Fair

  • Online. Various writing organisations offer 1:1 sessions over the phone or on software such as Zoom. You can peruse the agents available to make sure that you will be speaking with someone who represents your genre. Here are a few:

I am in Print

Jericho Writers

  • Query. Querying is the traditional way to get an agent 1:1. The above ways are guaranteed because you book them in advance, but querying can lead to a chat with your chosen literary agent. Want to know more about querying? Check out the following blog posts:

3 Things to Avoid When Querying Literary Agents

5 Ways to Find a Literary Agent or Publisher

When to Follow up With a Literary Agent or Publisher